Robert L. Peters

14 February 2015

Design protip : consider how things are used.

protip

(Thanks Paul Tetrault, via Mitch Goldstein).


12 February 2015

Seen through his eyes…

ink_camera

turtleneck

avocado_baseball

rrrrr_comb

OLYMPUS DIGITAL CAMERA

post_it

trex

Berlin, Germany

Storytelling giant Christoph Niemann never disappoints…


10 February 2015

Don’t make excuses for nasty people. You can’t put a flower in an asshole and call it a vase.

(Thanks to neighbour Pat for the quotable, original source unknown).


8 February 2015

But first…

Nuts

(-: original image source unknown)


4 February 2015

Jolene at 33 rpm…

Dolly_Parton_Jolene@33

Odd as it may seem…

Someone figured out that Dolly Parton’s hit song “Jolene” (from her 1973 album with the same name) sounds unexpectedly good when slowed down from 45 rpm to 33 rpm. Parton has said the inspiration for this song came from a redheaded bank teller who she believed charmed her husband… (ear-worm warning).

My kid brother, John Paul Peters, is a music producer and sound engineer. Here’s his explanation:

Dolly Parton has a very short throat. Her vocal sounds quite nasal by any standards and so when you drop the pitch and speed of the song it sounds like a guy would sound naturally. Usually, when you drop the speed and pitch of the song it sounds unnaturally deep, but, since Dolly Parton has such a small throat and quick vibrato, her texture works fine and she actually sounds plausibly male!”

Click here or on the image to listen; click here to download an MP3 file.

(source)


25 January 2015

Hands of time…

tick_tock_clock

(original image source unknown)


11 January 2015

At last, U.S. foreign policy made crystal clear…

clear_as_mud

(original source unknown, but remarkably cogent)


4 January 2015

Open your mouth only if what you are about to say is more beautiful than silence.

—Arabic proverb


12 December 2014

And, speaking of bullshit

bullshit

(image origin unknown)


5 December 2014

We don’t believe in rheumatism and true love until after the first attack.

Marie von Ebner-Eschenbach


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