{"id":432,"date":"2008-03-10T19:12:17","date_gmt":"2008-03-11T02:12:17","guid":{"rendered":"http:\/\/www.robertlpeters.com\/news\/?p=432"},"modified":"2018-11-22T01:32:22","modified_gmt":"2018-11-21T20:32:22","slug":"geez-9-art-in-the-age-of-brutality","status":"publish","type":"post","link":"https:\/\/robertlpeters.com\/news\/geez-9-art-in-the-age-of-brutality\/","title":{"rendered":"Geez 9 | Art in an Age of Brutality"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.robertlpeters.com\/news2013\/wp-content\/uploads\/geez9.jpg\" alt=\"geez9.jpg\" \/><img decoding=\"async\" src=\"http:\/\/www.robertlpeters.com\/news2013\/wp-content\/uploads\/art_appreciation.jpg\" alt=\"art_appreciation.jpg\" \/><\/p>\n<p><em>Winnipeg, Canada<\/em><\/p>\n<p><em>Geez <\/em>magazine Issue #9 arrived today (theme: \u201cArt,\u201d with guest art directors Diana Thorneycroft and Michael Boss)\u2014it includes a piece I wrote on art appreciation that grew out of a bar table talk with publisher Aiden Enns some weeks back. My take on art criticism: \u201c\u2026what you \u2018see\u2019 is what you \u2018get\u2019 and depends largely on where you stand.&#8221;<\/p>\n<p><em>Geez <\/em>is an award-winning, non-profit, ad-free, quarterly Christian activist magazine that aims to \u201cuntangle the narrative of faith from the fundamentalists, pious self-helpers and religio-profiteers.\u201d Find out more about <em>Geez<\/em> <a href=\"http:\/\/www.geezmagazine.org\" target=\"_blank\">here<\/a>.<\/p>\n<p><span style=\"color: #999999;\"><em>Cover illustration: \u2018Self (Bandage)\u2019 by <a style=\"color: #999999;\" href=\"http:\/\/www.dominikadratwa.com\/\" target=\"_blank\">Dominika Dratwa<\/a>. Napkin sketch: yours truly. <\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Winnipeg, Canada Geez magazine Issue #9 arrived today (theme: \u201cArt,\u201d with guest art directors Diana Thorneycroft and Michael Boss)\u2014it includes a piece I wrote on art appreciation that grew out of a bar table talk with publisher Aiden Enns some weeks back. My take on art criticism: \u201c\u2026what you \u2018see\u2019 is what you \u2018get\u2019 and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3,5,8,9,11,13,14,15,17],"tags":[],"_links":{"self":[{"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/posts\/432"}],"collection":[{"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/comments?post=432"}],"version-history":[{"count":2,"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/posts\/432\/revisions"}],"predecessor-version":[{"id":17001,"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/posts\/432\/revisions\/17001"}],"wp:attachment":[{"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/media?parent=432"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/categories?post=432"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/robertlpeters.com\/news\/wp-json\/wp\/v2\/tags?post=432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}