Robert L. Peters

30 May 2006

Peters receives the Koopman Chair at the Hartford School of Art

hartford.jpg

Hartford, Connecticut

Since February, I have been teaching a studio course here at the University of Hartford, as a recipient of the Hartford Art School’s Georgette and Richard Koopman Distinguished Chair in the Visual Arts. The course I developed (in the Visual Communication Design Department) was entitled “Cause an Effect,” and consisted of three topical modules relating to globalism and cross-cultural issues: Identity in a rapidly shrinking world; Response (the relationship of power to responsibility); and, Connections (connectivity, commonality, collaboration).

Teaching involved an intense four-day visit/session in Hartford in each of the past months along with international guest collaborator/critics that I was able to invite to participate (through the school’s visiting artists program), along with interstitial weekly student submissions and online exchanges. In addition, the Koopman Chair offered the opportunity for a public presentation (the Koopman Lecture) and display of my work in the exhibition Symbols, Icons, & Indices—Signs of the Times at the Joseloff Gallery, Hartford School of Art. I enjoyed working closely with a select group of talented and highly motivated U.S. students in providing “creative and intellectual stimulation and experiential learning at the intersection of passion, reason, and purpose.” More info re: the Hartford School of Art here.


26 May 2006

Regarding belief

I’m sometimes asked what I believe… (perhaps because I tend to get preachy at times, and I wear mostly black?)… and I have no easy answers. This is quite likely because (as I’ve aged) I’m less interested in knowing the right answers than in continuing to ponder relevant questions. Although I have never officially signed on to any particular belief system or denominational roster, I do consider myself to be a believer and a spiritual being.

I was raised within fundamental, unadorned, conservative Christianity as practiced by my devout Mennonite parents and forebears. This Anabaptist belief system (named after its radical 16th-century Protestant reformer-founder Menno Simons) puts much stock in Biblical primacy, salvation through conversion (sometimes proselityzed with missionary zeal), simple living, and a commitment to non-violence and pacifism—very similar to traits shared by our “cousins” the Amish (remember The Witness?), as Miriam Toews (award-winning author of the bestselling book A Complicated Kindness [set in the town of Steinbach where she was born a decade later than I] puts it)—Mennonites are “basically Amish… but with cars instead of buggies.”

For most of my elementary schooling my family lived in Reinach, Switzerland, on the outskirts of Basel where I attended private school. The stunning Goetheanum in Dornach (designed by esotericist Rudolf Steiner, and the world seat for Anthroposophy) was only 2 kilometers away and frequently a destination for Saturday bike rides—ironically, some forty-plus years later I find myself increasingly drawn to the transformative holism and social activism exemplified by Steiner and other Theosphists. I remember for a brief period as a teenager being enamored with Zoroastrianism—the concept of one universal and transcendental God and the call to actively live out one’s goodness (the walk as opposed to the talk) on a daily basis in order to stave off chaos, were of particular appeal. Much later in life I had the chance to visit India, where I encountered Gandhi’s very forthright book My Experiments with Truth—reinforcing the over-riding importance of active, actualized faith.

After graduating from high school at Black Forest Academy (a private Christian school in southern Germany), I attended a year of religious study at Capernwray Hall, a Bible-based school housed in a 19th-century mansion and set in 175 acres of parkland just south of England’s famous Lake District in Carnforth, Lancashire. In spite of having already been steeped in organized religion by that point, I did learn a lot about the value of fellowship, as well as understanding for those from other cultures (the student body of 170 comprised individuals from some 22 different countries).

In 1973, a desire to put faith into action led me to Operation Palmbranch, an African relief mission based in Bavaria, Germany. This was an incredible learning opportunity, as we were a small team of volunteers re-building scrapped Mercedes Unimogs (amazing all-wheel-drive vehicles trashed by the military in NATO war games) that we would then drive down through the Sahara for use as mobile hospitals and surgical units in northern Zaire (now the Congo). I’d have to say I learned some of my greatest lessons in life during that time…

Today, I find myself believing more rather than less (inclusive vs. exclusive), while retaining many of the aspirational spiritual tenets I was raised with—faith as a core of destiny, the cardinal importance of love, a commitment to non-violence, a call to simple living, etc. I believe that the divine is alive in each of us (nascent transcendence), that faith takes us much further than fear, and that “love conquers all.”

A climbing analogy perhaps best describes my thinking regarding religions… The first recorded successful ascent of a mountain summit is often the most famous, and becomes the “classic route,” while latter ascents by other parties chart new routes and deviations (often more daring, frequently less obvious). Of course there are also summit attempts that fail catastrophically—so it behooves the summit-seeking climber to be well trained, well conditioned, well outfitted, and well focused.

Climb on…


2 May 2006

Cuba Si!

ca_cubache_r.jpg

Menlo Park, California

The May/June 2006 (#344) issue of Communication Arts magazine features an in-depth article entitled “Cuba Si! Life and design on the embargoed archipelago” written by Circle’s founder and principal, Robert L. Peters. The piece explores Cuba’s cultural and political realities in relation to visual communication, and is accompanied by a selection of graphic design spanning the 47-year span since the Cuban Revolution (many works never before seen outside of Cuba).

Peters has visited Cuba several times in recent years (as co-organizer and chair of the 2001 Havana Design Week held in the Che Guevara Memorial Hall [in conjunction with his board role with the International Council of Graphic Design Associations (Icograda)], and several subsequent visits re: design advocacy and preparation for the Icograda World Design Congress to be held in October 2007). In this regard he worked closely with professional Cuban colleagues from the PROGRÁFICA Committee in preparing the feature article, drawing on numerous studio visits as well as one-on-one interviews with designers working both within state organizations and independently.

Peters has been contributing articles to Communication Arts magazine since 1995 and has previously written for CA on design and design events in Russia, Portugal, Uruguay, Australia, Korea, Japan, Brazil, and China. Copies of CA issue #344 are available at book stores and major news outlets around the world and may be purchased online from the Communication Arts website.

Read or download a PDF-version of the “Cuba Si!” feature article here (3.6 MB).

cuba_posters_r.jpg


T +1 204 943 3693
© 2002-2017 Robert L. Peters
All rights reserved.