Robert L. Peters

13 August 2016

Solace House… a place under the sun, naturally.

Solace_House_Squarespace

Solace House, the low-energy passive solar house that I designed and built in in the woods of Eastern Manitoba in 1980, (together with my wife and numerous family members, friends, and volunteers) has undergone a year of extensive renovations and has now been “put on the market.” Huge thanks to Evelin and my steadfast brother Jim for their tireless help in the past year.

You can learn all about Solace House at an informational/marketing website I’ve created here.

Watch a TEDxManitoba talk about Solace House (now viewed over 5000 times on YouTube) here.


11 August 2016

A podcast interview… on Oots.

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“In order to capture some of the disappearing history in the graphic design industry in Manitoba, with the support of GDC Manitoba, we decided to create a podcast series where we could interview many of the designers who have shaped the design landscape in Winnipeg and beyond. It was decided to keep it simple – conduct interviews with individuals with a set list of questions to capture their thoughts and reflections that might inspire others, and then post the interviews as podcasts. The series is called Out of the Studio (Oots) and new interviews and designer profiles will be added every couple of weeks. Enjoy the podcast series, there is much to be celebrated with Canadian graphic design!”

Listen to the interview here.


8 March 2016

Our new stamp… commemorating 100 Years of Women’s Suffrage

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VOTE_OFDC

Winnipeg, Canada

Our latest stamp design launched in Canada today, on International Women’s Day. As a feminist, I found it particularly gratifying to be able to have a hand in this issue.

Read all about the stamp’s design here. Access information of interest to philatelists and collectors here. Watch news reportage of Canada’s Prime Minister, Justin Trudeau, unveiling the stamp in Ottawa earlier today here

Trudeau_Suffrage-Stamp-Launch


14 January 2016

Design creates culture…

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I don’t “Instagram,” but this quotable seems to keep making the rounds…

(thanks for sharing this with me, Carisa). 


8 January 2016

Coexistence…

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Bowen Island, British Columbia

This is a 24 x 36 inch poster created last year by my über-talented friend Marian Bantjes, composed of sand and dirt from around the world. Coexistence is printed on thick, durable, archival Epson Enhanced Matt paper using Epson UltraChrome HDR ink-jet technology. You can order your own copy here.

Coexist_Bantjes

Copyright © 2016 Marian Bantjes, All rights reserved.

 


14 February 2015

Design protip : consider how things are used.

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(Thanks Paul Tetrault, via Mitch Goldstein).


24 January 2015

The Look of Silk… The First Session of Cross Strait Silk Culture and Creativity Forum and International Silk Creative Design Expo

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Shenzhen, China

One of 2014’s highlights for me was to participate in The Look of Silk, (The First Session of Cross Strait Silk Culture and Creativity Forum and International Silk Creative Design Expo) sponsored by China Tong Yuan Co., Ltd., Shenzhen China Silk Park, and the Taiwan Cultural and Creative Industry Association.

As one of “eight internationally renowned designers” I was invited to design a pattern for silk scarves, participate in the 5-day event in Shenzhen, and to give a keynote address. A design team from Taiwan was commissioned to develop 80 different silk products using our designs, “creating a systematically multicultural design integrating multiple aspects.”

The Look of Silk plans to “keep alive the spirit of traditional Chinese culture and the international role played by silk in the past, while creating a brand image and market orientation for Chinese silk” by means of innovative creative activities.

I recently received images from the organizers of my silk design applied to various products (from bed linens to ties, cushions, padded laptop cases, and other fashion accessories). Shown above is a small sampling… my original design was in oranges and reds, but the product design team decided to also iterate it in blue and green.

Click on the image below or here for a larger view of my silk pattern design (135mm x 135mm) entitled Occidental Habitué. Details of the design can be viewed at my original blog post, here

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Occidental Habitué

Thousands of icons, images, and visual impressions cross our consciousness daily, weaving rich cultural narratives and imbuing meaningful memories. As travellers, émigrés, and nomads in a shrinking world we wrap ourselves in layers of sensuous, intertwined experience.

My concept involves the creation of an intentionally layered, quirky, and semi-random collage, providing unexpected juxtapositions that draw in the viewer and then reward curiosity with serendipitous surprises of simultaneity. Ancient meets modern, complex collides with simple, small bests large.

Luminous color acts as a background for layered, multidirectional, copyright-free imagery from earlier eras — visual ephemera, linear diagrams, Victorian etchings, old prints, ornaments, printers’ spot illustrations, ad cuts, and clip art — from ancient cave paintings to art deco elements, from flora and fauna to whimsical human inventions.

As if floating above this nuanced visual composition, a repeating directional diamond pattern of contemporary symbols and info-graphic icons (from The Noun Project, an online “visual language” resource of icons created by a global community) lends added dimension, with icons varying in color in a top-to-bottom gradation, complementary to the hue of the background.

A symbol of the globe glows in the fabric’s center.

© 2014 Robert L. Peters


19 January 2015

Eyecandy… Best of the Year from Netdiver Mag

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Krzysztof_Domaradzki_2014

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Montréal, Quebec

After a 5-year hiatus, Netdiver has rebooted its tradition of revisiting the past year of design news to choose projects that stand out “for their originality, quality, and inspirational value.”

Shown above is a tiny sampling — see much more at BOTY 14.

Thanks, Carole Guevin.


4 November 2014

Beautiful Linguistic Family Tree

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(somewhere in the post-apocolyptic North)

“When linguists talk about the historical relationship between languages, they use a tree metaphor. An ancient source (say, Indo-European) has various branches (e.g., Romance, Germanic), which themselves have branches (West Germanic, North Germanic), which feed into specific languages (Swedish, Danish, Norwegian).”

“Lessons on language families are often illustrated with a simple tree diagram that has all the information but lacks imagination. There’s no reason linguistics has to be so visually uninspiring. Minna Sundberg, creator of the webcomic Stand Still. Stay Silent, a story set in a lushly imagined post-apocalyptic Nordic world, has drawn the antidote to the boring linguistic tree diagram.”

Access the full-size diagram here. (Source).


1 November 2014

Project Thirty-Three

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Seattle, USA

Project Thirty-Three celebrates “vintage record jackets that convey their message with only simple shapes and typography… a personal collection and shrine to circles and dots, squares and rectangles, and triangles, and the designers that make these shapes come to life on album covers.”


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