Robert L. Peters

25 January 2015

Hands of time…

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(original image source unknown)


24 January 2015

The Look of Silk… The First Session of Cross Strait Silk Culture and Creativity Forum and International Silk Creative Design Expo

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Shenzhen, China

One of 2014’s highlights for me was to participate in The Look of Silk, (The First Session of Cross Strait Silk Culture and Creativity Forum and International Silk Creative Design Expo) sponsored by China Tong Yuan Co., Ltd., Shenzhen China Silk Park, and the Taiwan Cultural and Creative Industry Association.

As one of “eight internationally renowned designers” I was invited to design a pattern for silk scarves, participate in the 5-day event in Shenzhen, and to give a keynote address. A design team from Taiwan was commissioned to develop 80 different silk products using our designs, “creating a systematically multicultural design integrating multiple aspects.”

The Look of Silk plans to “keep alive the spirit of traditional Chinese culture and the international role played by silk in the past, while creating a brand image and market orientation for Chinese silk” by means of innovative creative activities.

I recently received images from the organizers of my silk design applied to various products (from bed linens to ties, cushions, padded laptop cases, and other fashion accessories). Shown above is a small sampling… my original design was in oranges and reds, but the product design team decided to also iterate it in blue and green.

Click on the image below or here for a larger view of my silk pattern design (135mm x 135mm) entitled Occidental Habitué. Details of the design can be viewed at my original blog post, here

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Occidental Habitué

Thousands of icons, images, and visual impressions cross our consciousness daily, weaving rich cultural narratives and imbuing meaningful memories. As travellers, émigrés, and nomads in a shrinking world we wrap ourselves in layers of sensuous, intertwined experience.

My concept involves the creation of an intentionally layered, quirky, and semi-random collage, providing unexpected juxtapositions that draw in the viewer and then reward curiosity with serendipitous surprises of simultaneity. Ancient meets modern, complex collides with simple, small bests large.

Luminous color acts as a background for layered, multidirectional, copyright-free imagery from earlier eras — visual ephemera, linear diagrams, Victorian etchings, old prints, ornaments, printers’ spot illustrations, ad cuts, and clip art — from ancient cave paintings to art deco elements, from flora and fauna to whimsical human inventions.

As if floating above this nuanced visual composition, a repeating directional diamond pattern of contemporary symbols and info-graphic icons (from The Noun Project, an online “visual language” resource of icons created by a global community) lends added dimension, with icons varying in color in a top-to-bottom gradation, complementary to the hue of the background.

A symbol of the globe glows in the fabric’s center.

© 2014 Robert L. Peters


18 January 2015

Even if we could turn back, we’d probably never end up where we started…

Haruki Murakami


31 December 2014

The Littlest Hand

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Congratulations to dear friend Suchot Sunday, first-place winner of the 2014 poetry writing contest sponsored by the Winnipeg Free Press and the Writers’ Collective of Manitoba.


13 November 2014

There are no rules of architecture for a castle in the clouds.

Gilbert K. Chesterton (1874-1936)


4 November 2014

Beautiful Linguistic Family Tree

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(somewhere in the post-apocolyptic North)

“When linguists talk about the historical relationship between languages, they use a tree metaphor. An ancient source (say, Indo-European) has various branches (e.g., Romance, Germanic), which themselves have branches (West Germanic, North Germanic), which feed into specific languages (Swedish, Danish, Norwegian).”

“Lessons on language families are often illustrated with a simple tree diagram that has all the information but lacks imagination. There’s no reason linguistics has to be so visually uninspiring. Minna Sundberg, creator of the webcomic Stand Still. Stay Silent, a story set in a lushly imagined post-apocalyptic Nordic world, has drawn the antidote to the boring linguistic tree diagram.”

Access the full-size diagram here. (Source).


13 October 2014

Friends… since birth.

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Winnipeg Beach, Manitoba… while digging up carrots yesterday.


12 October 2014

Common Ground

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Winnipeg Beach, Manitoba

This is Ev’s latest sculptural work… Common Ground, a hand-built ceramic piece (385mm x 220mm x 360mm, base 330mm x 207mm x 105mm) with a silver cold finish and parts of an antique meat grinder, mounted on a stained wooden base/bed.


3 October 2014

Time is the coin of your life…

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Thanks Chaz.


30 September 2014

Foucault…

Foucault

Thanks to Filip Spagnoli for the cartoon…


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