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This ad ran in China today… (perhaps inevitable, given the amount of scapegoating and slagging that Mr. Romney and the GOP have leveled at China in the past weeks and months).

Globalization is here to stay — circumspection is advised.

London, UK

Sony Music has unveiled a graphic installation documenting the company’s 125 year musical history. Designed by Alex Fowkes, the Sony Music Timeline runs throughout the central atrium of Sony’s open plan Derry Street offices. The installation features nearly 1000 names of artists signed to Sony Music and its affiliated labels from the foundation of Columbia Records in 1887 to the present day, including musical icons Elvis Presley, Jimi Hendrix, Bob Dylan, Bruce Springsteen, Janis Joplin, The Clash, Michael Jackson and many many more.

Interspersed among the artist names are certain key developments in technology, musical formats and corporate history — from the invention of early recording cylinders to vinyl, cassette, CD, radio, MTV, the Sony Walkman, the iPod and the introduction of digital streaming services. The work is organised by decade into 54 columns measuring over 2 meters tall and covering almost 150 square meters of wall space. It uses CNC cut vinyl as the sole medium for the whole installation.

Sony’s partnership with Fowkes is set to continue as the Sony Music Timeline will grow each year with the addition of new artist names signed by the major.

(Thanks to my colleague Adrian Shum for the link).

Buenos Aires, Argentina

This week, a lovely little cloth-bound book of photographs arrived at my studio, Revisiting the Sixties by my long-time friend Ronald Shakespear. You can see more of his eclectic collection of images in an exhibit (PDF) here, or flip through the book online (via issuu) here.

«One day in 1964, I took a plane to Spain to go see Orson Welles, who lived near Juan Perón in Puerta de Hierro. I knocked on his door, without an appointment, and was surprised that he opened the door to me — it did not matter that I had arrived “just like that.” There he was, the great Orson, washing down an old Buick (which never actually ran). The fact that I had no appointment mattered not at all: “Never ask permission,” he said, “Never.”

That cemented my admiration for him. He invited me to the Plaza de Toros in Madrid, I spent a lovely afternoon and took some pictures that I still love. We spent an unforgettable afternoon watching the master bullfighter Curro Giron… then we went to the Plaza Butchery (to buy meat) and Giron gave the bull’s ears to Orson.»

Ronald Shakespear has accomplished what only a few chosen ones do: a total work of art, his own life. As he would say, let us draw a compassionate veil on the long years of our friendship… and throughout those long years, I do not remember him ever stopping to rest, ever taking a break from his multi-faceted creative endeavors that have brought beauty to all things around us, by adding colour to the existing grey. And that includes his photographic work, one of his many talents, where black and white give his touching images the importance of being a precious document of his world and ours.

—Edouard Golbin, Photographer (Paris)

Ronald’s photographs are, first and foremost, photographs. They are pictures of light falling unto things and somehow discovering (and covering) them: direct, strong, bold, more shadow than light. The subjects come later… They are all a self-portrait, a portrait of intensity as a photographic theme. Once again, it’s all Ronald: that is how he talks. That is his language. Those are his signs. Frontal, straightforward, no beating about the bush. Why should his photographs be any different?

—Jorge Frascara, Icograda Past President (Padova, Italy)

Narrative talent is a constant in the work of Ronald Shakespear… “Revisiting the Sixties” is flooded with a poetic yet earthly presence that can be seen in every single portrait. Ronald’s eye is a lens that encompasses all the senses and enables us to share into that intimate, personal world, not only through our eyes, but also through that which is beyond our eyes.

—Marcelo Ghio, Dean, Isil University (Lima, Perú)

Today, we know Ronald Shakespear as a designer with a wide portfolio of celebrated identity and environmental graphics projects. But in the 1960s, one of his primary modes of visual expression was portraiture, harnessing black and white photography to capture friends and celebrities in intimate moments. In his book “Revisiting the Sixties” he shares these photographs again — and today, with the benefit of time and the breadth of his design career, we can appreciate the threads that tie these photos to the rest of Shakespear’s body of work. Like his most successful logos, these portraits are simple gestures and yet they are iconic in their ability to communicate a great deal within a modest format.

—Leslie Wolke, Writer (Austin, Texas)

Movember has arrived — it’s time to sport a moustache again. Movember is responsible for the sprouting of moustaches on thousands of men’s faces, in Canada and around the world, during the month of November.

“With their “Mo’s,” these men raise vital funds and awareness for men’s health, specifically prostate cancer. On Movember 1st, guys register at Movember.com with a clean-shaven face. For the rest of the month, these selfless and generous men, known as Mo Bros, groom, trim and wax their way into the annals of fine moustachery. Supported by the women in their lives, Mo Sistas, Movember Mo Bros raise funds by seeking out sponsorship for their Mo-growing efforts. Mo Bros effectively become walking, talking billboards for the 30 days of November. Through their actions and words, they raise awareness by prompting private and public conversation around the often ignored issue of men’s health.”

At the end of the month, Mo Bros and Mo Sistas celebrate their gallantry and valor by either throwing their own Movember party or attending one of the infamous Gala Partés held around the world by Movember, for Movember.

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—Robert Louis Stevenson

—Ernest Hemingway

John Jacob Peters, 1920-2012

Early today, my Dad passed on into the next realm… he sees more clearly now than ever before in his 92 years—and he’s no longer tied down by time and place and gravity. Heartfelt thanks to the many friends around the world who have invested in prayers, provided emotional support, and expressed condolences…

(Psalm 121:1, the Bible)

Vienna, Austria

PEZ was created in 1927 by Austrian health-fanatic Edward Haas III, using oil of peppermint (at that time, only available from chemists) to create a candy for adults. The name “PEZ” comes from the German word for peppermint… PfeffeErminZ. Initially sold in tin containers (much like Altoids), PEZ were marketed as a luxury breath freshener. In 1949, PEZ came out with a pocket-sized dispenser, resembling the shape of a cigarette lighter—and began to be marketed as a sophisticated alternative to smoking. “The lighter-shaped dispenser was not only a trick to play on smokers asking for a light, but it was hygienic, allowing PEZ users to give the candy to friends without touching it.” The company’s motto in 1949 was “No smoking—PEZing allowed.”

The real marketing break-through for PEZ came by means of a graphic artist named Gerhard Brause, whose sexy depiction of the PEZ girl helped spread the brand around the world (PEZ was introduced in the USA in 1952, but marketing was soon focused on children instead, primarily through the use of dispensers featuring “character” heads). Nowadays PEZ is available in over 80 countries with 65 million dispensers and 4.2 billion PEZ candies consumed every year.

I grew up in Frankfurt, Germany, and I remember acquiring my first PEZ pocket dispenser while in Kindergarten in 1958—at that time, we would buy PEZ refills from wall-mounted coin-operated vending machines. Shown above are some of the PEZ Girl illustrations created by Gerhard Brause.

Moscow, Russia

The “Space Age” began on 4 October 1957 with the Soviet Union’s launch into orbit of Sputnik—the first man-made satellite.

Na zdorovye!