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This is just one of more than 350 vintage travel posters in an online collection compiled by The Boston Public Library’s Print Department—most date from the 1920s-1940s, the “Golden Age of Travel.” Enjoy the rest here.
“Having a wonderful time—wish you were her…”
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…this would certainly help explain why the “fasten passenger-side seatbelt” light sometimes flashes on my car dashboard when all I have on the seat beside me (as far as I can tell) is my briefcase.
And, to think that the Americans actually figured this out nearly 70 years ago… quite amazing!
(original image source unknown)
Morelia, (Michoacán) México
A picture really is worth a thousand words. I was happy to stumble across this oh-so-telling illustration by Rogelio Naranjo today, here.
(Actually, the text on this vintage Spanish postcard reads “kisses and their consequences.” Don’t say you haven’t been warned though…).
The above illustration is from the humorous student-run magazine at Cornell University, The Cornell Widow. (Of course “she” is referring to the movement against U.S. imperialism begun by Augusto Nicolás Calderón Sandino…).
If, like myself, you enjoy a combination of vintage ephemera and serendipitous discovery… then meandering through pilllpat (agence eureka)’s Flickr collections could make you a happy camper too.
Victoria, British Columbia
If you’ve visited this/my blog in the past, you probably already know that I’m somewhat of a fan of unusual and vintage ephemera, oddball ideas, and assorted graphic juxtapositions and eccentricities… so of course I was happy about the serendipitous encounter I had today with an engaging and creatively stimulating online collection of “wacky” imagery.
Enjoy, eh?
Lisbon, Portugal
The May/June 2010 (#374 Illustration Annual 51) issue of Communication Arts magazine contains a feature article I’ve written entitled “Visual Communication Design in Portugal: Land of Discovery.” The piece investigates Portugal’s unique attributes, history, culture, and current realities in relation to visual communication—the article is accompanied by a selection of design and illustration by Portuguese designers.
I visited Lisbon in 2009 as a speaker at OFFF 2009 Oeiras (International Festival For The Post-Digital Creation Culture), an event attended by nearly 4000 enthusiastic participants. After the conference, I drew from dozens of attendees who contacted me following my talk in order to crowd-source opinions on Portuguese design and related issues, as well as suggestions for representative works.
I have been contributing in-depth foreign feature articles to Communication Arts magazine since 1994, including pieces on design and design events in Russia, Portugal (the XVI Icograda General Assembly in 1995), Uruguay, Australia, Korea, Japan, Brazil, China, Denmark, Cuba, and New Zealand.
Read the full feature article (with full creative credits for works shown, CA issue #374) or download the entire CA Portugal design feature here (1.1 MB). Note: this feature article from Communication Arts magazine appears with permission by Communication Arts ©2010 Coyne & Blanchard, Inc. All rights reserved.
A special thanks to the numerous Portuguese designers and design educators who enthusiastically contributed their insights, viewpoints, and suggestions regarding works that appear in the article, in particular; Sarah Chaves Brasseur, Carla Carrão, Aurelindo Ceia, António (Tózé) Coelho, António Costa, Ana Farinha, João Cardoso Fernandes, Antero Ferreira, Afonso Figueiredo, Margarida Fonseca, Bruno Franco, António Silveira Gomes, Carla Ponte Júlio, Ana Lopes, Miguel Macedo, Mário Moura, Fernando Oliveira, João Maio Pinto, Rosa Quitério, Luísa Ribas, Catarina da Silva, Paulo Silva, and Patrícia Sobral.
