12 October 2020

Greetings and best wishes from Winnipeg Beach, Manitoba. We continue to “isolate” socially in this lovely spot on the western shores of Lake Winnipeg — it’s now been eight months of “shelter in place” for us…

Stay home (if you can), wear a mask, wash your hands often…

Toronto, Canada

On 21 October 2019, I’m slated to give a talk at the #FITCSpotlight ‘Design Ethics‘ event (making this my 9th appearance at an FITC event in the past 14 years). Here’s an abstract of my presentation…

See What I Mean?

We live in uncertain times on a rapidly warming, fragile, and over-stressed planet. Tumultuous political, social, ecological, and economic instability — along with information overload, an overwhelming pace of change, threatened eco-systems, and staggering social imbalances — threaten our individual sense of purpose, place, and wellbeing. For the majority of our planet’s 7.7 billion human beings, the world remains a place of inequality, injustice, and suffering; even while the privileged of our “developed world” frolic in a buffet of excess, with gluttonous over-consumption as the daily modus operandi.

It’s been said that designers and artists can see and observe differently, more acutely than others — looking deep inside issues, perceiving hidden relationships and causal patterns, possessing an innate consciousness and natural tendency to question and identify needs in “the big picture.” As today’s world has been largely shaped by designers and intentional “form-givers” of the past few generations, are our creative professions even aware of the considerable responsibility that accompanies what we do, and of the complex forces our work exerts on aesthetic, technological, social, environmental, economic, and political fronts?

I’ve heard that I now qualify for a free fishing license in the Canadian provinces of Manitoba and Ontario… sashimi days lie ahead.

Cheers!

Winnipeg Beach, Manitoba

As had been predicted by some weather prognosticators, the past four months have proved to be an exceptionally cold, harsh winter. At Christmas, Ev and I discussed how to make the best of this challenge — and a decision to focus on creating new work in her ceramic/sculpture studio ‘What? Clay Art & Curios’ offered the solution. (The door to the studio is less than 20 meters from the front door of the house, so, no worries about debilitating wind-chills…).

Ev and I collaborate on many of her pieces, with me acting as studio assistant — my background in painting and illustration is put to use (e.g. on cold-finishes) and I particularly enjoy the aspect of multi-media assemblage (combining and joining diverse materials in innovative ways), up-cycling antique and “scrap” elements, and mounting her sculptures to bases, etc. We have a lot of fun together.

Shown above is a sampling of the pieces created in Ev’s studio so far this year (some have sold, some are in galleries) — more complete postings on these pieces (including titles, dimensions, technical descriptions, and “artist’s statements)” can be viewed on her website here.

Winnipeg, Canada

A year ago today, I created a Facebook “page” for good friend Gerald Kuehl, helping to promote his book Portraits of the North, and thereby further disseminating the compelling “stories” that Ger has been entrusted to pass on by his subjects.

I’m happy to share that, according to Facebook’s traffic reports, in the past 12 months over 300,000 have had posts from the FB page enter their screen (“post reach” or visibility, in FB metrics-speak) — an average of (+/-) 6000 people per week along with (+/-) 1000 “post engagements” (the number of people who have engaged with the weekly posts through “likes, comments, shares and more).”

It’s really encouraging to see these moving, engaging pencil portraits of First Nations and Métis elders — “the last generation born on the land” as they have been described, with each having been drawn painstakingly with love, respect, and intention — being shared and appreciated so widely. Huge thanks (!) are due to the family, friends, relations, supporters, and community members of the individuals portrayed… please keep sharing the legacies!

Miigwetch. Ekosani. Masi Cho. Wopida. Ayhay. Merci. Thank you!

Link to the Facebook page for Portraits of the North here. Buy the book at your local booksellers’ or here. I’ve blogged about Gerald Kuehl’s incredible work previously, here and here.

Winnipeg, Canada

At a ceremony held on 19 November at The Canadian Museum for Human Rights here in Winnipeg, Canada’s new $10 banknote was launched into circulation. The face side of the note features civil rights activist Viola Desmond, first Canadian woman to be profiled on a regularly circulating banknote, with the The Canadian Museum for Human Rights on the other.

The first vertically oriented banknote in Canada, the design includes an artistic rendering of Halifax’s north end and waterfront, where Viola Desmond lived and owned a beauty salon; also depicted is an eagle feather, which the Bank of Canada says represents the ongoing journey toward recognizing rights and freedoms for Indigenous people.

On Nov. 8, 1946, Desmond took in a movie at the Roseland Theatre in New Glasgow while her car was getting fixed. When she refused to leave the whites-only section on the main level of the theatre, Desmond, 32, was dragged out by police and jailed. Black people were only allowed to sit in the balcony of the theatre. Her defiance shone a light on the civil rights movement and helped motivate the struggle against racial segregation in Canada.

Segregation was legally ended in Nova Scotia in 1954, in part because of the publicity generated by Desmond’s case. She is often described as Canada’s Rosa Parks, even though Desmond’s act of defiance happened nine years before Parks refused to give up her seat on an Alabama bus.

Read more in a CBC news report here. Read an in-depth primer article by The Globe and Mail here. Watch a Heritage Minute (video) about Ms. Desmond here.

Images above: The new vertical Canadian $10 bill that goes into circulation in the next month; Viola Desmond’s sister Wanda Robson with the new bill (at the launch ceremony in Winnipeg).

Image below: The old/outgoing $10 bill featuring Canada’s first prime minister and “founding father,” John A. Macdonald, along with a western osprey (Pandion haliaetus) — I’m happy to see the end of Macdonald in my wallet (he’s now widely seen as responsible for horrific genocide of Indigenous People in this country) — though I did quite like the large fish hawk.

Los Angeles, California

“On an early November day in 1966, a tall, thin, Nordic-Celtic vision in a minidress and clunky heels, hunched over the microphone at the Second Fret coffeehouse in Philadelphia, and against her then-husband’s wishes, she sang the songs she was beginning to write in great creative gusts. It was the moment that Joni Mitchell — a wounded, determined runaway from a complicated childhood in the Canadian prairies and soon enough from an unhappy marriage — became a star.”

The news media (around the world) have been abuzz in the past weeks with praise for and tributes to the one and only Joni Mitchell, who turned 75 last week. The inimitable artist has been mostly “lying low” lately, recovering from a brain aneurysm suffered in 2015, though she has made a few public appearances. In early November, a two-night gala benefit for LA’s flagship performing arts destination, the Music Center, “was crafted by loving hands to make a space for Mitchell to inhabit, likely in silence, and hear her voice come alive through her friends and acolytes.” Read more here, here, here, or here. 

Our design team at Circle was delighted to have the opportunity (in 2007) to design a stamp commemorating the song-writing and musical legacy of Joni Mitchell — one in a set of four stamps also celebrating Canadian musical artists Gordon Lightfoot (who turned 80 today!), Anne Murray, and Paul Anka. For Joni’s stamp, we were able to obtain usage rights for a beautiful photo by New York photographer Gregory Heisler/Cpi.