A “bumper-sticker quotable” from my cousin, The Honourable Madam Justice Bonnie R. Warkentin… (-:

(somewhere in the UK)

“An eccentric side project born out of too many sleepless nights at the Royal College of Art and a homesickness for the rugged Highlands. Bicycle Taxidermy first began on a couple of memento mori for my father’s once prized but long discarded mountain and road bikes…”

—Robert Louis Stevenson (a diptych)

(Can you tell that I have become re-enamored with RLS? I came to love his books half a century ago…).

Beijing, China

In mid-October, the Academy of Arts & Design, Tsinghua University hosted a 50-year retrospective exhibition featuring the work and distinguished career of my good friend (and former Icograda board colleague) Professor Yu Bingan. Widely known as “the godfather of Chinese type” and “a pioneer of visual communication design in China,” Bingnan has had an interesting and prolific career as both a designer and a design educator.

Originally from Shanghai, Bingnan moved to Wuxi at a young age to escape political turbulence. After initially attending Lu Xun Art Academy in Yan’an, he moved to Europe for six years and continued his studies at the Leipzig College of Graphic Design and Book Art, in what was then East Germany (it’s by dent of this that Bingnan and I can communicate in German, as I am practically illiterate in Mandarin).

Since 1962 he has been a lecturer at the Academy of Arts & Design, Tsinghua University (the former Central Academy of Arts & Design) and from 1985 to 1990 he served director of the Book Art Department. Bingnan has served for decades as an international design juror for arts & design competitions, his works have won distinctive international and national prizes, and he has published numerous articles and books on design theory. Bingnan became the first Chinese member of the Alliance Graphique Internationale (AGI), he served as a vice president of Icograda (2001-2003), and he continues to represent Icograda in China as a special liaison and through active promotion of Chinese graphic design associations.

Read an interview with Professor Yu Bingnan here; view more images from the retrospective exhibition here.

Among the artifacts on display at the retrospective was this newspaper article from 2009, when the Icograda World Design Congress was held in Beijing. (Thanks to Sophia Shih for sending me the images for this post).

—Robert Louis Stevenson

—Charles Dickens

—George Harrison

Seattle, Washington

Modern Dog is a design firm in Seattle that was founded in 1987 by friends of mine, Robynne Raye and Michael Strassburger. In 2008, they published a very cool book entitled Modern Dog: 20 Years of Poster Art. For the end-papers of that book, they illustrated a bunch of “dogs we know” and another bunch of “dogs we don’t know” (clever, right?). The book was a relative success… then fast forward to 2011, when they heard from someone that had seen a Disney™-branded T-shirt for sale at a Target™ store that appeared to feature “their dogs!” Here’s a little video that explains what happened next (watch video).

So, Modern Dog did what you would expect proud and proper dog-owner-artists to do… they complained that their work (and the likenesses of their own dear pooches) had been stolen, and then filed a lawsuit “against the Target Corporation, The Walt Disney Company and a few of their subsidiaries who sold the T-shirts” as is explained in this Huffington Post article (read the article).

Thing is, it’s “allegedly” quite well known that Disney et al “allegedly” employ a very large number of lawyers to dissuade little folks like Modern Dog whose work has “allegedly” been ripped off from successfully suing the large corporations for exploitative profits and resulting damages — because hey, that could set a disturbing precedent of “creators” like Modern Dog actually being able to protect their very own creations(!).

In June of this year, Modern Dog felt they had no choice but to sell their dear Greenwood studio home (the most valuable thing they owned) to relieve some of the growing financial burden of the stretched-out legal proceedings. That’s a damn gutsy thing to do, to protect the rights of “the little guy.” But that wasn’t enough (law suits in the USA are damn expensive), so Modern Dog has also launched a crowd-funding effort (visit it here). As Christopher Simmons puts it succinctly in a piece he wrote, “If they win, we all win. Modern Dog’s stand against copyright infringement benefits all designers and anyone who makes a living by creating.”

So, now there’s just over two weeks left until the Friends of Modern Dog online fundraiser wraps up, and they’re still in need of $15,000. That’s where you and I come in. Please consider making a donation (even $5 helps, and it sends a very clear signal to Disney, Target, et al…). Please also share this story of these brave “little dogs”  and their loving caregivers who won’t back down from doing the right thing—even in the face of teeth-baring hegemonic corporate behemoths.

Thanks in advance!

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Above, you see the end-papers of the book with the original doggie illustrations. Below, you can see the dogs that appear on the T-shirt… need more proof? Take a look at this comparative video.

—George Bernard Shaw

Dublin, Ireland

A week ago, Ireland’s creative community got together to release a lot of pent up anger and sadness through the medium of the A3 poster, all in aid of Temple Street Children’s Hospital. Ad creatives, designers, animators, directors, illustrators and more have taken time out to dress up their favourite “worst feedback from clients,” transforming quotes that would normally give you a twitch, into a diverse collection of posters.

Very cathartic, methinks. See more posters here.

(thanks to David Coates of Ion for the link)