Winnipeg, Canada

Circle’s latest Canadian Recording Artists stamps (that launched a week ago) have garnered a fair bit of early attention, and there’s been a steady stream of feedback from both near and far. Locally, I was interviewed on 3 July by Margaux Watt on the CBC radio afternoon show, and on 4 July the Winnipeg Free Press ran an article about the stamps’ design in the Business section (view a larger JPG of the article here or read the piece online here).

The Globe And Mail ran an in-depth story (online here), CTV gave the issue quite a bit of coverage as did Radio-Canada (highlighting that this is the first time that Canadians who perform in French are being lauded by Canada Post), and the stamps and related stories have appeared on numerous websites and blogs (including Bryan Adams’ website here) and philatelic collectors’ sites such as Stamp News International.

Canada Post and the featured artists all appear to be pleased. Stompin’ Tom says he’s “delighted, humbled and overwhelmed by the ‘stamp of approval;’” Édith Butler (whose great grandfather was a postmaster and who sent us photos of the stamp launch in Paquetville, NB—where her 92-year-old cousin was the first in line at the post office to buy a souvenir sheet) called the stamps “the greatest thing that ever happened to me;” a chuffed Bryan Adams responded “It is a wonderful honour to be amongst the great men and women who have graced our Canadian stamps… I am humbled by the recognition;” and Robert Charlebois stated: “I wish my parents would be alive to see this, because when I started 40 years ago, I never thought I would land on a stamp… I probably will send all my friends postcards with my own face on it, especially to my friends in Belgium and Switzerland—they’re going to faint, they won’t believe their eyes.”

Asheville, North Carolina

An ephemera interview I participated in with Marty Weil is now online here.

Thanks, Marty!

Pinawa, Manitoba

I’ve spent the past few days with Evelin and my entire Peters family at the Wilderness Edge resort (in Pinawa, on the Winnipeg River) participating in a get-away weekend in honour of my 89-year-old father, our patriarch John Jacob Peters. With my brother Phil and his clan here from Germany, this provided the first opportunity in several years for us all to be together in one place.

Highlights of the weekend have been an incredible audio-visual presentation my brother Jim assembled from hundreds of old family photographs he had scanned, a well-written life-history presented by Doreen, Dad’s wife (who also took care of all weekend arrangements—thanks!), a musical tribute by brother Phil et al, and the open sharing and good fellowship that takes place when a geographically dispersed family comes together for some quality time. The weather cooperated (for the most part) for the outdoor activities (a hay ride, canoeing, biking, swimming, evening camp-fires) and it seems a good time was had by all. Life is good…

Family photos (from those that surfaced on the weekend): the ship Dad came to Canada on from Russia in 1925; a hand-coloured “John the lumberjack” on Vancouver Island (serving as a Conscientious Objector during World War II); our family stuffed into a Heinkel Kabine (Frankfurt, 1957); brother Jim and I, 1958; Dad enjoying the mountain view (Swiss Alps, c. 1978); and an informal family photo here in Pinawa yesterday.

Winnipeg Beach, Manitoba

I’ve had the pleasure and privilege during the past year of collaborating on a variety of sculptural pieces (and in the process, re-discovering a long-lost sense of tactility) with the talented (and smart, and lovely :-) ceramist Evelin Richter. This is one of our latest completed co-productions, The Vamp. You can see more sculptural works at Ev’s website: www.whatclayart.com

The Vamp: Voluptuous coil-built stoneware sculpture, wood-fired to ∆ 12 (vitrified, unglazed—the coloration is natural ash and flashing), mounted on a cast iron pedestal base, with woodstove-tarnished nickel ball-chain skirt; 280mm x 280mm x 630mm high.

Winnipeg, Manitoba

I’m generally not nationalistic, nor am I a flag-waver by nature… but I have to admit I do feel moved and deeply appreciative on this particular day each year—Canada Day. It falls mid-week this time, so not the long weekend of most years…. Read what 11 Canadian ex-pats had to say today about missing home in ‘Our True North,’ an Op-Ed in The New York Times.

Paquetville, NB / Timmins, ON

On 2 July 2009 the latest set of commemorative stamps we’ve designed at Circle for Canada Post will launch concurrently—in the small Acadian village of Paquetville, New Brunswick, where chanteuse Édith Butler was born and raised—and in Timmins, Ontario, where renowned folklorist Stompin’ Tom (Connors) was first granted a 14-month contract to play at the city’s Maple Leaf Hotel. The set of four stamps also includes international rock superstar Bryan Adams and Robert Charlebois, a pioneer of French-Canadian rock.

Building on the market success of the Canadian Recording Artists series we designed two years ago (featuring Gordon Lightfoot, Joni Mitchell, Anne Murray, and Paul Anka) this set of stamps adopts the round CD-shape precedent for booklets (each artist is featured on a separate booklet cover) and the gummed souvenir sheet (popular with collectors and philatelists)—the latter also appears with dual cancellations with date of issue on the Official First Day Cover (OFDC). Booklets of pressure-sensitive stamps include envelope seals and information about the individual artists.

We also designed a set of postcards—each of these includes an additional performance image of the featured artist. We initially decided to create monochrome portraits for the artists (using a vector-conversion process based on sourced photography of dramatically varying quality levels) and then brought them all into the same dynamic visual “performance space,” a spotlit simulation of how they might appear live and on stage. As we did in the 2007 series, we incorporated a distinctive MetalFX® process of under-printed metallic inks into backgrounds and selvedge areas, adding a lustrous sheen that helps convey the feeling of shiny vinyl and “gold album” prestige.

These limited edition stamps will be available through post offices across the country as of 2 July 2009, can be ordered online by following the links at Canada Post’s website www.canadapost.ca, or by calling toll-free: 1-800-565-4362 (Canada and the United States), or 902-863-6550 (from other countries).

Images: the round souvenir sheet; the four postcards, each featuring an enlarged stamp/portrait; the OFDC with dual cancellations.

Portage la Prairie, Manitoba

The Manitoba Agricultural Hall of Fame has officially announced its inductees for 2009—among the nine individuals “judged to have made a significant and lasting contribution to agriculture in Manitoba within their lifetimes” is my dad’s older brother, my ‘Uncle Pete,’ Peter Jacob Peters, now 95. He’ll be giving a 5-minute speech (though he insists he needs 20 :-) at 1:30pm on 16 July at a ceremony open to the public at the William Glesby Center (11-2nd St. NE) in Portage la Prairie, Manitoba.

Peter J. Peters immigrated to Canada from the Ukraine with his family at age eleven (when my father was six). He took his schooling at Gretna in Southern Manitoba, and later enrolled in teacher training. At the outbreak of World War II, Pete enlisted in the RCAF—upon his eventual return from overseas service he attained his BSc. in Agriculture. Following graduation, he worked with the Extension Service of Manitoba Agriculture as a potato specialist (where he became known as “Potato Pete” to those in the field)—among other significant achievements he is credited with paving the way for the commercial potato industry in Manitoba. He also applied himself to the Strawberry Experimental Demonstration program at Hadashville in Eastern Manitoba, and as a direct result of his efforts, the Strawberry Growers Association of Manitoba came into being. Pete served as Secretary-Treasurer of the Manitoba Horticultural Association, was President of the Western Canadian Society for Horticulture, revitalized the periodical The Prairie Gardener, and wrote and published A Century of Horticulture in Manitoba. Aside from his horticultural pursuits, Pete is also a prolific poet (with too many published books to list here) and was active throughout his adult life in church and community activities, renowned for his entertaining hundreds with his photography-poetry-musical presentations.

Photo: Peter J. Peters in 1945 (while requisitioned to serve as a tri-lingual interpreter at the Nuremberg Trials after the war [on account of his fluency in Russian, German, and English]—a time he prefers not to speak about to this day). Thanks to my brother Jim for the scan from an old photographic print.

Nunavut, Canada (1949)

An inspiring 60-year-old flashback for the ultimate lesson in (Northern) sustainable architecture… from Canada’s National Film Board. (Note that the term ‘Eskimo’ used by narrator Douglas Wilkinson is today considered pejorative and has been replaced by ‘Inuit,’ which is the indigenous plural term for ‘Inuk’ [‘man’ or ‘person’]).

Edmonton, Alberta

I’m delighted to share the news that good friend, award-winning* designer, and dedicated educator Sue Colberg has been honoured by the Society of Graphic Designers of Canada as a GDC Fellow—she’s the 13th Canadian woman and 63rd individual to be so bestowed. Fellowship is awarded by the National Society to a professional graphic designer who, by accomplishment or influence, has made a major contribution to graphic design in Canada—it is the highest honour that can be awarded by the Society.

Susan Colberg’s dedication to her students and her expertise in the field of graphic design has contributed to the influence and education of many generations of designers. An Associate Professor at the University of Alberta in the Art and Graphic Design Department, Susan teaches advanced typography, information design and the practice of graphic design. Her dedication to the GDC and its mission has been long and extensive. She has been involved since she was a design student and is a past president of the Alberta North Chapter. She also continues to serve on the board and is a Professional member in good standing. She is currently the National representative for GDC/ABN and has been the GDC’s Icograda Representative since 2003.

* News also arrived this week that Sue is once again a top winner in the 2008 Alcuin Book Design Awards. Congratulations, Sue!

Winnipeg Beach, Manitoba

The last few days have been a blur of activity, helping Ev prepare for the 8th WAVE Artists Studio Tour. More than 130 visitors dropped by for a studio visit, and it was good to receive feedback on the figurative sculptures and other works Ev and I have collaborated on since last summer. Read more information about the event at What? Clay Art & Curios—there’s another chance to take in the self-guided WAVE tour on the September long weekend (5 & 6 September 2009)…

Images above: a tired Ev poses with Wallflower after the tour ended last night; the outdoor display of Uncultured Enigmas proved to be popular with visitors once again; the wall-mounted sculpture Darwin’s Creation (Enigmas offer clues to missing links, in honour of Charles Darwin’s 200th birthday this year); and Peer Pressure, Ev’s social commentary re: failing corporatism and the workaholics who drive themselves down along with sinking enterprise.